The 1980s (pronounced "nineteen-eighties", shortened to "the '80s" or "the Eighties") was the decade that began on January 1, 1980, and ended on December 31, 1989.
The United Kingdom and the United States moved closer to supply-side economic policies, beginning a trend towards global instability of international trade that would pick up more steam in the following decade as the fall of the USSR made right-wing economic policy more powerful.
The final decade of the Cold War opened with the US-Soviet confrontation continuing largely without any interruption. Superpower tensions escalated rapidly as President Reagan scrapped the policy of détente and adopted a new, much more aggressive stance on the Soviet Union. The world came perilously close to nuclear war for the first time since the Cuban Missile Crisis in 1962, but the second half of the decade saw a dramatic easing of superpower tensions and ultimately the total collapse of Soviet communism.
Developing countries across the world faced economic and social difficulties as they suffered from multiple debt crises in the 1980s, requiring many of these countries to apply for financial assistance from the International Monetary Fund (IMF) and the World Bank. Ethiopia witnessed widespread famine in the mid-1980s during the corrupt rule of Mengistu Haile Mariam, resulting in the country having to depend on foreign aid to provide food to its population and worldwide efforts to address and raise money to help Ethiopians, such as the Live Aid concert in 1985.
By 1986, nationalism was making a comeback in the Eastern Bloc, and the desire for democracy in socialist states, combined with economic recession, resulted in Mikhail Gorbachev's glasnost and perestroika, which reduced Communist Party power, legalized dissent and sanctioned limited forms of capitalism such as joint ventures with companies from capitalist countries. After tension for most of the decade, by 1988 relations between the communist and capitalist blocs had improved significantly and the Soviet Union was increasingly unwilling to defend its governments in satellite states.
The 1980s was an era of tremendous population growth around the world, surpassing the 1970s and 1990s, and arguably being the largest in human history. During the 1980s, the world population grew from 4.4 to 5.3 billion people. There were approximately 1.33 billion births and 480 million deaths. Population growth was particularly rapid in a number of African, Middle Eastern, and South Asian countries during this decade, with rates of natural increase close to or exceeding 4% annually. The 1980s saw the advent of the ongoing practice of sex-selective abortion in China and India as ultrasound technology permitted parents to selectively abort baby girls.
The 1980s saw great advances in genetic and digital technology. After years of animal experimentation since 1985, the first genetic modification of 10 adult human beings took place in May 1989, a gene tagging experiment which led to the first true gene therapy implementation in September 1990. The first "designer babies", a pair of female twins, were created in a laboratory in late 1989 and born in July 1990 after being sex-selected via the controversial assisted reproductive technology procedure preimplantation genetic diagnosis. Gestational surrogacy was first performed in 1985 with the first birth in 1986, making it possible for a woman to become a biological mother without experiencing pregnancy for the first time in history.
The global internet took shape in academia by the second half of the 1980s, as well as many other computer networks of both academic and commercial use such as USENET, Fidonet, and the bulletin board system. By 1989, the Internet and the networks linked to it were a global system with extensive transoceanic satellite links and nodes in most developed countries. Based on earlier work, from 1980 onwards Tim Berners-Lee formalized the concept of the World Wide Web by 1989. Television viewing became commonplace in the Third World, with the number of TV sets in China and India increasing by 15 and 10 times respectively.
... that the Fighting Vanguard waged a guerrilla war against the Syrian government in the 1970s and 1980s?
... that in the 1980s, when Moturoa Island lost all its endangered kiwi to pests, experts reintroduced seven birds– today there could be as many as 300 kiwi on the island?
... that in the 1980s, "Sherman Bonner, The Human Thermometer" presented the weather on an Arkansas TV station?
... that people in the 1980s expressed interest in buying Chicago's James Charnley House only because they wanted to see the interior?
... that the 1980s Beechcraft BQM-126 target drone could be launched from aircraft based on aircraft carriers?
Born in Panama City to a poor pardo family, Noriega studied at the Chorrillos Military School in Lima and at the School of the Americas. He became an officer in the Panamanian army, and rose through the ranks in alliance with Omar Torrijos. In 1968, Torrijos overthrew President Arnulfo Arias in a coup. Noriega became chief of military intelligence in Torrijos's government and, after Torrijos's death in 1981, consolidated power to become Panama's de facto ruler in 1983. Beginning in the 1950s, Noriega worked with U.S. intelligence agencies, and became one of the Central Intelligence Agency's most valued intelligence sources. He also served as a conduit for illicit weapons, military equipment, and cash destined for U.S.-backed forces throughout Latin America. (Full article...)
Image 10The world map of military alliances in 1980: NATO & Western allies, Warsaw Pact & other Soviet allies, Non-aligned countries, China and Albania (communist countries, but not aligned with USSR), ××× Armed resistance (from Portal:1980s/General images)
Image 12Stage view of the Live Aid concert at Philadelphia's JFK Stadium in the United States in 1985. The concert was a major global international effort by musicians and activists to sponsor action to send aid to the people of Ethiopia who were suffering from a major famine. (from Portal:1980s/General images)
Image 17The Grateful Dead in 1980. Left to right: Jerry Garcia, Bill Kreutzmann, Bob Weir, Mickey Hart, Phil Lesh. Not pictured: Brent Mydland. (from Portal:1980s/General images)
Goldman began writing the script in 1971, deriving inspiration from his encounters with dysfunctional couples. He spent several years trying to secure a major film studio to produce it before taking it to 20th Century Fox. Parker learned of the script as he was developing Fame (1980), and he later worked with Goldman to rewrite it. After an unsuccessful pre-production development at Fox, Parker moved the project to Metro-Goldwyn-Mayer, which provided a budget of $12 million. Principal photography lasted 62 days, in the period from January to April 1981, on location in Marin County. (Full article...)
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Kids Can Say No!, stylized as Kids Can Say No, is a 1985 Britishshorteducational film produced and directed by Jessica Skippon and written by Anita Bennett. It is intended to teach children between ages five and eight how to avoid situations where they might be sexually abused, how to escape such situations, and how to get help if they are abused. In the film, Australian celebrity Rolf Harris (who was later convicted of such crimes) is in a park with a group of four children and tells them about proper and improper physical intimacy, which he calls "yes" and "no" feelings. The film has four role-playing scenes in which children encounter paedophiles, with Harris and the children discussing each scene.
Harris said that he came up with the idea for the film on a 1982 Canadian tour when he saw Vancouver's Green Thumb Theatre production of Feeling Yes, Feeling No, a play about child sexual abuse. Kids Can Say No!, released in October 1985 on VHS in the United Kingdom, was the first British children's film about sexual abuse and was purchased by police forces, educational institutions, and libraries across Europe. Upon the film's release, The Times obtained opinions from four sexual-abuse experts, who unanimously opposed using Kids Can Say No! or any other film to teach children about the subject; among other objections, experts cited the necessary vagueness of the terminology in the film as well as concerns about inspiring false accusations. The Australian Broadcasting Corporation received a positive response to its 1988 broadcast of Kids Can Say No! and therefore broadcast it a second time that year. Harris and Skippon collaborated on the 1986 sequel Beyond the Scare, which advises teachers about what to do if a child discloses abuse. Showings of Kids Can Say No! eventually decreased as VHS became less popular in favour of DVD in the late 1990s and early to mid-2000s. (Full article...)
The plot revolves around Adam and Barbara Maitland, a recently deceased couple. As ghosts, they are not allowed to leave their house. They contact Betelgeuse, a sleazy "bio-exorcist", to scare the house's new inhabitants away. The film prominently features music from Harry Belafonte's albums Calypso and Jump Up Calypso. (Full article...)
Ideas for the film began when Reiner and Penny Marshall divorced. An interview Ephron conducted with Reiner provided the basis for Harry; Sally was based on Ephron and some of her friends. Crystal came on board and made his own contributions to the screenplay. Ephron supplied the structure of the film with much of the dialogue based on the real-life friendship between Reiner and Crystal. The soundtrack consists of standards from Harry Connick Jr., with a big band and orchestra arranged by Marc Shaiman. For his work on the soundtrack, Connick won his first Grammy Award for Best Jazz Male Vocal Performance. (Full article...)
The screenplay of Blue Velvet had been passed around multiple times in the late 1970s and early 1980s, with several major studios declining it due to its strong sexual and violent content. After the failure of his 1984 film Dune, Lynch made attempts at developing a more "personal story", somewhat characteristic of the surrealist style displayed in his first film Eraserhead (1977). The independent studio De Laurentiis Entertainment Group, owned at the time by Italian film producer Dino De Laurentiis, agreed to finance and produce the film. (Full article...)
Meena Panchu Arunachalam produced Guru Sishyan under the production company P. A. Art Productions. The screenplay was written by her husband Panchu Arunachalam. The cinematography was handled by T. S. Vinayagam, the editing was by R. Vittal and C. Lancy, and the art direction was by B. Chalam. The film is Gautami's debut role in Tamil cinema, and the first film in which Rajinikanth and Prabhu co-starred. Filming took place primarily in Mysore and Chennai, and was completed in 25 days. (Full article...)
Following publication of the novel, Hjortsberg began developing the screenplay for a film adaptation, but found that no major studio was willing to produce his script. The project resurfaced in 1985 when producer Elliott Kastner brought the book to Parker's attention. Parker began work on a new script and made several changes to Hjortsberg's novel. He also met with Mario Kassar and Andrew G. Vajna, who agreed to finance the $18 million production through their independent film studio Carolco Pictures. Filming took place on-location in New York City and New Orleans, with principal photography lasting from March to June 1986. (Full article...)
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L.A. Takedown, also called L.A. Crimewave and Made in L.A., is a 1989 American crimeaction film written and directed by Michael Mann. Originally filmed as a pilot for an NBC television series, the project was reworked and aired as a stand-alone TV film after the series was not picked up. The film was later released on VHS and, in Region 2, on DVD.
The film was conceived by Neumeier while working on the set of Blade Runner (1982), and he developed the idea with Miner. Their script was purchased in early 1985 by producer Jon Davison on behalf of Orion Pictures. Finding a director proved difficult; Verhoeven dismissed the script twice because he did not understand its satirical content, until he was convinced of its value by his wife. Filming took place between August and October 1986, mainly in Dallas, Texas. Rob Bottin led the special-effects team in creating practical effects, violent gore and the RoboCop costume. (Full article...)
Producer David De Silva conceived the premise in 1976, partially inspired by the musical A Chorus Line. He commissioned playwright Gore to write the script, originally titled Hot Lunch, before selling it to Metro-Goldwyn-Mayer (MGM). After he was hired to direct the film, Parker rewrote the script with Gore, aiming for a darker and more dramatic tone. The script's subject matter received criticism by the New York Board of Education, which prevented the production from filming in the actual High School of Performing Arts. The film was shot on location in New York City, with principal photography beginning in July 1979 and concluding after 91 days. Parker encountered a difficult filming process, which included conflicts with U.S. labor unions over various aspects of the film's production. (Full article...)
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Jaws 3-D (titled Jaws III in its 2-D form) is a 1983 American horror film directed by Joe Alves and starring Dennis Quaid, Bess Armstrong, Simon MacCorkindale and Louis Gossett Jr. As the second sequel to Steven Spielberg's Jaws it was the third installment in the Jaws franchise. The film follows the Brody children from the previous films to SeaWorld, a Florida marine park with underwater tunnels and lagoons. As the park prepares for opening, a young great white shark infiltrates the park from the sea, seemingly attacking and killing the park's employees. Once the shark is captured, it becomes apparent that a second, much larger shark also entered the park and was the real culprit.
The film made use of 3D during the revived interest in the technology in the 1980s, amongst other horror films such as Friday the 13th Part III and Amityville 3-D. Cinema audiences could wear disposable cardboard polarized 3D glasses to create the illusion that elements penetrate the screen. Several shots and sequences were designed to use the effect, such as the shark's destruction. Since 3D was ineffective in home viewing until the advent of 3D televisions in the late 2000s, the alternative title Jaws III is used for television broadcasts and home media. (Full article...)
Inchon's plot includes both military action and human drama. Characters face danger and are involved in various personal and dramatic situations. The film concludes with the American victory over North Korean forces in the Battle of Inchon, which is considered to have saved South Korea. Produced on $46 million with filming taking place in South Korea, California, Italy, Ireland and Japan, it encountered many problems during production, including a typhoon and the death of cast member David Janssen. Both the Unification movement and the United States military provided personnel as extras during the filming. (Full article...)
The film was first completed in 1975 as a live-action/animated film, in which only the main characters were animated and the rest were portrayed by live actors, but the film's release was pushed back and later postponed indefinitely. Warner Bros. claimed that this version of the film was unsatisfactory; concerns about the backlash against Coonskin were also cited. (Full article...)
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