Vernon Dalhart

Wikipedia

Vernon Dalhart
Dalhart in 1917
Dalhart in 1917
Background information
Born
Marion Try Slaughter

(1883-04-06)April 6, 1883
Jefferson, Texas, United States
DiedSeptember 14, 1948(1948-09-14) (aged 65)
GenresCountry
Occupation(s)Singer, songwriter
Years active1913–1940
LabelsEdison, RCA Victor, Columbia, Old Homestead, Bell

Overview

Marion Try Slaughter (April 6, 1883 – September 14, 1948), better known by his stage name Vernon Dalhart, was an American country music singer and songwriter who recorded music prolifically from 1917 into the 1930s. He aspired to be an opera singer, and began his career this way, but soon began recording country music inspired by his roots in farming and ranching.[1] His recording of the classic ballad "Wreck of the Old 97" was the first country song reputed to have sold one million copies, although sales figures for pre-World War Two recordings are difficult to verify. Dalhart has since faded into relative obscurity.

Biography

Dalhart was born in Jefferson, Texas, on April 6, 1883. He took his stage name from two towns, Vernon and Dalhart in Texas, between which he punched cattle as a teenager in the 1890s.[2] When Dalhart was 12 or 13, the family moved from Jefferson to Dallas, Texas.

He sang and played harmonica and Jew's harp at local community events and attended the Dallas Conservatory of Music.[3] He married Sadie Lee Moore-Livingston in 1901 and had two children, a son and a daughter. In 1910, on the recommendation of a Dallas Conservatory teacher, he moved the family to New York City, where he worked in a piano warehouse and took occasional singing jobs

Music career

Dalhart's education was in classical music. He had aspirations of being an opera singer, and in 1913 was cast in Madame Butterfly and H.M.S. Pinafore.[3] When, he saw an advertisement in the local newspaper for singers and applied, he was auditioned by Thomas Alva Edison and went on to record for Edison Records. From 1916 until 1926, he made over 400 recordings of classical music and early dance band vocals for various record labels. In 1917 he requested to record the song "Can’t You Heah Me Callin’, Caroline?" for Edison Records. This song is what first introduced his talents into the country music tradition[4] which, at the time, was popularly referred to as "Hillbilly Music;" the likes of which he often heard during his time spent ranching as a teenager.[1] The trajectory of his music career was altered and, at this point, he began to record prolifically with labels such as Columbia and other popular labels of the day in addition to Edison Records.[4]

Between 1927 and 1929 he also recorded with the Vernon Dalhart Trio, composed of Vernon Dalhart, Adelyne Hood, and Carson Robison.[5]

In the 1920s and 1930s, he sang on more than 5000 singles (78s) for many labels, employing more than 100 pseudonyms, such as Al Craver, Vernon Dale, Frank Evans, Hugh Lattimer, Sid Turner, George White (with original Memphis Five) and Bob White.[3] On Grey Gull Records, he often used the name "Vel Veteran", which was also used by other singers, including Arthur Fields. He was already an established singer when he made his first country music recordings.

Dalhart stated in a 1918 interview amidst criticism of his accent seeming artificial, "When you are born and brought up in the South your only trouble is to talk any other way ...the 'sure 'nough Southerner' talks almost like a Negro, even when he's white. I've broken myself of the habit, more or less, in ordinary conversation, but it still comes pretty easy."[6]

Hits

Dalhart had a hit single with his 1924 recording of "The Wreck of the Old 97", a classic American ballad about the derailment of Fast Mail train No. 97 near Danville, Virginia, in 1903. Recorded for the Victor Talking Machine Company, the song alerted the national record companies to the existence of a sizable market for country-music vocals. It became the first Southern song to become a national success. With "The Prisoner's Song" as the b-side, the single eventually sold as many as seven million copies, a huge number for recording in the 1920s. It was awarded a gold disc by the Recording Industry Association of America (RIAA)[7] and was the biggest-selling, non-holiday record in the first 70 years of recorded music. Joel Whitburn, a statistician for Billboard magazine, determined that "The Prisoner's Song" was No. 1 hit for twelve weeks in 1925–26.[8]

One of the recordings most associated with Vernon Dalhart, especially in the United Kingdom, is his 1925 track "The Runaway Train" (Talking Machine Co., Camden, New Jersey, Victor 19685-A, Shellac). This was played on BBC Radio's Children's Favourites between 1954 and 1982, and even now almost every compilation of children's records in the UK includes this track.[citation needed]

Wanting to repeat the success of the single, the Victor Company sent Ralph Peer to the southern mountains in 1927 to facilitate the Bristol Sessions. These sessions led to the discovery of singer Jimmie Rodgers and the Carter Family, after which Peer's royalty model would become the standard of the music industry.

Later life and death

By the late 1930s, Dalhart's popularity declined and he had lost much of his income in the Great Depression. He produced one final recording for Bluebird Records in 1939[4] then eventually retired and relocated to Bridgeport, Connecticut in 1940 where he worked as a night clerk for the Hotel Barnum.[1]

He died on September 14, 1948 of a coronary occlusion at the age of 65. He is buried in Mountain Grove Cemetery in Bridgeport.[2]

Posthumous Events

In November 1955, as conversations surround Dalhart and Jimmie Rodgers began to stir. Ralph Peer, felt compelled to make a few comments about Dalhart's career. He made the fine distinction that Dalhart was not a "Hillbilly Artist" but merely a "popular artist who sang hillbilly songs." He catagorized Dalhart as someone who "had the peculiar ability to adapt hillbilly music to suit the taste of the non-hillbilly population and labeled him as "a profitable substitute for a real hillbilly."[9]

Discography

Albums

Title Year Recording Date Label
Old Time Songs: Original 1925-1930 Recordings 1976 1930 Davis Unlimited
1921-1927 1977 1927 Golden Olden Classics
The First Singing Cowboy On Records 1978 Mark56 Records
First Recorded Railroad Songs
Ballads and Railroad Songs 1980 Old Homestead Records
On The Lighter Side 1985
"The Wreck Of The Old 97" And Other Early Country Hits - Vol. III
Inducted Into The Hall Of Fame 1981 1999 King Records
Puttin' On The Style 2007 Document Records

Awards and honors

References

  1. 1 2 3 Dunavin, Davis (2016-08-17). "Why Is America's First Country Music Superstar Buried In Bridgeport?". WSHU. Retrieved 2025-10-23.
  2. 1 2 "Vernon Dalhart, Song Writer, 65". The New York Times. September 17, 1948. Retrieved 2015-09-11.
  3. 1 2 3 Manheim, James. "Vernon Dalhart". AllMusic. Retrieved 20 December 2016.
  4. 1 2 3 "Vernon Dalhart". Country Music Hall of Fame and Museum. Retrieved 2025-10-23.
  5. "Vernon Dalhart Trio". Discogs.
  6. Country Music Originals - The Legends and the Lost. Tony Russell. Oxford University Press. 2007. p. 15. ISBN 978-0-19-532509-6
  7. Murrells, Joseph (1978). The Book of Golden Discs (2nd ed.). London: Barrie and Jenkins. p. 14. ISBN 0-214-20512-6.
  8. Whitburn, Joel (1986). Pop Memories 1890-1954. Menomonee Falls, Wisconsin: Record Research, Inc. ISBN 0-89820-083-0.
  9. Peer, Ralph (November 1955). "Ralph Peer Sees No Hypo For Late Jimmy Rodgers; Dalhart Not a Hillbilly".{{cite web}}: CS1 maint: url-status (link)