| Image |
Title (English)[2] |
Year |
Location |
Dimensions (H × W in cm) |
Medium |
 |
Creation |
1922–1923 |
San Ildefonso College, Mexico City, |
|
Fresco, Gold leaf |
 |
Bather of Tehuantepec |
1923 |
|
63 × 52 |
Oil on canvas |
|
Entry into the Mine |
1923 |
Secretariat of Public Education Main Headquarters, Mexico City |
474 × 366 |
Fresco |
|
Exit from the Mine |
1923 |
Secretariat of Public Education Main Headquarters, Mexico City |
|
Fresco |
|
The Embrace |
1923 |
Secretariat of Public Education Main Headquarters, Mexico City |
|
Fresco |
|
Tehuana Women |
1923 |
Secretariat of Public Education Main Headquarters, Mexico City |
476 × 214 |
Fresco |
|
The Liberation of The Peon |
1923 |
Secretariat of Public Education Main Headquarters, Mexico City |
|
Fresco |
|
The New School |
1923 |
Secretariat of Public Education Main Headquarters, Mexico City |
|
Fresco |
|
Good Friday on the Santa Anita Canal |
1923 |
|
456 × 356 |
Fresco |
|
The Sugar Mill |
1923 |
Secretariat of Public Education Main Headquarters, Mexico City |
482 × 366 |
Fresco |
|
The Festival of The Distribution of The Land |
1923–1924 |
Secretariat of Public Education Main Headquarters, Mexico City |
|
Fresco |
|
The Festival of The First of May |
1923–1924 |
Secretariat of Public Education Main Headquarters, Mexico City |
|
Fresco |
|
The Market |
1923–1924 |
Secretariat of Public Education Main Headquarters, Mexico City |
|
Fresco |
|
The Maize Festival |
1923–1924 |
Secretariat of Public Education Main Headquarters, Mexico City |
438 × 239 |
Fresco |
|
The Sacrificial Offering Day of the Dead |
1923–1924 |
Secretariat of Public Education Main Headquarters, Mexico City |
415 × 237 |
Fresco |
|
Alliance of the Peasant and the Industrial Worker |
1924 |
Chapingo Autonomous University, Texcoco, Mexico |
|
Fresco |
|
The Day of the Dead |
1924 |
Secretariat of Public Education Main Headquarters, Mexico City |
|
Fresco |
|
Partition of the Land |
1924 |
Chapingo Autonomous University, Texcoco, Mexico |
|
Fresco |
 |
Dia de Flores (Flower Festival) |
1925 |
Los Angeles County Museum of Art (LACMA) |
147.3 × 120.7 |
Oil on canvas |
|
The Exploiters |
1926 |
Chapingo Autonomous University, Texcoco, Mexico |
|
Fresco |
|
The Abundant Earth |
1926 |
Chapingo Autonomous University, Texcoco, Mexico |
|
Fresco |
|
Revelation of the Way |
1926 |
Chapingo Autonomous University, Texcoco, Mexico |
|
Fresco |
|
Triumph of the Revolution |
1926 |
Chapingo Autonomous University, Texcoco, Mexico |
|
Fresco |
|
The Organization of The Agrarian Movement |
1926 |
Chapingo Autonomous University, Texcoco, Mexico |
|
Fresco |
|
The Mechanization of The Country |
1926 |
Secretariat of Public Education Main Headquarters, Mexico City |
|
Fresco |
|
The Land's Bounty Rightfully Possessed |
1926 |
Chapingo Autonomous University, Texcoco, Mexico |
|
Fresco |
|
Indian Boy and Indian Woman with Corn Stalks |
1926–27 |
Chapingo Autonomous University, Texcoco, Mexico |
|
|
|
Subterranean Forces |
1926–27 |
Chapingo Autonomous University, Texcoco, Mexico |
|
|
|
Maturation |
1926–27 |
Chapingo Autonomous University, Texcoco, Mexico |
|
|
|
The Blood of the Revolutionary Martyrs Fertilizing the Earth |
1926–27 |
Chapingo Autonomous University, Texcoco, Mexico |
244 × 491 |
|
|
The Liberated Earth with The Powers of Nature Controlled by Man |
1926–27 |
Chapingo Autonomous University, Texcoco, Mexico |
692 × 598 |
|
|
The Perpetual Renewal of the Revolutionary Struggle |
1926–27 |
Chapingo Autonomous University, Texcoco, Mexico |
354 × 357 |
|
 |
Cargadora With Dog |
1927 |
|
|
Watercolour |
|
Death of the Capitalist |
1928 |
Secretariat of Public Education Main Headquarters, Mexico City |
|
|
|
Night of the Rich |
1928 |
Secretariat of Public Education Main Headquarters, Mexico City |
|
|
|
Our Bread |
1928 |
Secretariat of Public Education Main Headquarters, Mexico City |
|
|
|
The Learned |
1928 |
Secretariat of Public Education Main Headquarters, Mexico City |
|
|
|
The Painter, the Sculptor and the Architect |
1923–1928 |
Secretariat of Public Education Main Headquarters, Mexico City |
|
|
 |
Wall Street Banquet |
1928 |
Secretariat of Public Education Main Headquarters, Mexico City |
|
|
 |
The Arsenal |
1928 |
Courtyard of the Fiestas, Secretariat of Public Education, Mexico City, Mexico |
|
Fresco |
 |
Entering the City |
1930 |
Palace of Cortés, Cuernavaca, Mexico |
|
Fresco |
|
My Godfather's Sons (Portrait of Modesto and Jesus Sanchez) |
1930 |
Fomento Cultural Banamex, Mexico City |
|
|
|
Zapata's Horse |
1930 |
|
|
|
|
Conquest and Revolution |
1930–31 |
|
|
|
 |
Still Life and Blossoming Almond Trees |
1930–31 |
University of California, Berkeley, Stern Hall, Berkeley, California |
265 × 100 |
Fresco |
 |
Allegory of California |
1930–31 |
The City Club of San Francisco, Stock Exchange Tower, San Francisco, California |
|
Fresco |
|
Zapata |
1930–31 |
The History of Cuernavaca and Morelos |
214 × 89 |
|
|
The Making of a Fresco, Showing The Building of a City |
1931 |
San Francisco Art Institute, San Francisco, California |
|
Fresco |
|
Frozen Assets |
1931 |
Dolores Olmedo Collection, Mexico City |
188.5 × 239 |
|
 |
Blue Boy with the Banana |
1931 |
Norton Simon Museum, Pasadena, California |
91.4 × 54.9 |
Oil on canvas |
|
Edsel B. Ford |
1932 |
Detroit Institute of Arts, Detroit, Michigan |
125.1 × 97.8 |
|
|
Detroit Industry, South Wall |
1932–1933 |
Detroit Institute of Arts, Detroit, Michigan |
|
Fresco |
 |
Detroit Industry, North Wall |
1933 |
Detroit Institute of Arts, Detroit, Michigan |
|
Fresco |
 |
Man at the Crossroads / Man, Controller of the Universe |
1933–34 |
Palacio de Bellas Artes, Mexico City |
|
|
|
The Ancient Indian World |
1929–35 |
Palacio Nacional, Mexico City |
|
|
|
The World of Today and Tomorrow |
1929–35 |
Palacio Nacional, Mexico City |
|
|
 |
The History of Mexico: From Conquest to the Future (main wall) |
1929–35 |
Palacio Nacional, Mexico City |
|
|
 |
The History of Mexico |
1929–35 |
Palacio Nacional, Mexico City |
|
|
|
Delfina and Dimas |
1935 |
|
24 × 31 |
tempera on masonite |
|
The Flower Carrier (Flower Carrier) |
1935 |
San Francisco Museum of Modern Art (SFMOMA) |
121.9 × 121.3 |
Oil and tempera on masonite |
|
The Pinole Seller |
1936 |
Museo Nacional de Arte (MUNAL), Mexico City |
81.4 × 60.7 |
|
|
Indian Woman Spinning / Indigena Tejiendo |
1936 |
Phoenix Art Museum, Phoenix, Arizona |
81.3 × 59.7 |
|
|
Carnival of Mexican Life. Dictatorship |
1936 |
Palacio de Bellas Artes, Mexico City |
|
|
|
Copalli |
1937 |
Brooklyn Museum, Brooklyn, New York City, New York |
91.44 × 121.92 |
|
|
Portrait of Lupe Marin |
1938 |
Museo de Arte Moderno, Mexico City |
171.3 × 122.3 |
|
|
Portrait of Dolores Del Rio |
1938 |
|
|
|
|
The Lady in White |
1939 |
|
|
|
|
Portrait of Madesta and Inesita |
1939 |
|
99 × 69 |
|
|
Dancer Resting |
1939 |
Dolores Olmedo Collection, Mexico City |
95 × 166 |
|
|
Los Vasos Comunicantes (The Communicating Cups) |
1939 |
Foro Valparaíso, Mexico City, México |
60 × 84,5 |
linocut on paper |
|
Pan American Unity |
1940 |
San Francisco Museum of Modern Art, San Francisco, California (was previously located at City College of San Francisco, Diego Rivera Theater, but moved in 2020) |
670 × 2,260 |
Fresco |
|
The Hands of Dr. Moore |
1940 |
San Diego Museum of Art, San Diego, California |
45.8 × 55.9 |
|
|
Portrait of Paulette Goddard |
1940–41 |
|
|
|
|
Self-Portrait Dedicated to Irene Rich |
1941 |
Smith College Museum of Art (SCMA), Northampton, Massachusetts |
61 × 43 |
|
|
The Flower Seller |
1941 |
|
|
|
|
The Flower Vendor (Girl with Lilies) |
1941 |
Norton Simon Museum, Pasadena, California |
121.9 × 121.9 |
Oil on masonite |
|
El Vendedor de Alcatraces (Calla Lily Vendor) |
1942 |
Foro Valparaíso, Mexico City, México |
|
|
|
Portrait of Carlos Pellicer |
1942 |
|
55 × 43 |
|
|
Portrait of Natasha Zakólkowa Gelman |
1943 |
|
115 × 153 |
|
|
Calla Lily Vendor |
1943 |
The Jacques and Natasha Gelman Collection of Mexican Art |
150 × 120 |
Oil on masonite |
|
Nude with Calla Lilies |
1944 |
|
157 × 124 |
|
|
The Day of the Dead |
1944 |
Museo de Arte Moderno, Mexico City |
91 × 73.5 |
|
|
The Milliner. Portrait of Henri de Chatillon |
1944 |
|
|
|
|
Portrait of Adalgisa Nery |
1945 |
|
|
|
|
Portrait of Cuca Bustamante |
1946 |
Museo de Arte Moderno, Mexico City, |
158 × 122.5 |
|
|
Portrait of Mrs Elisa Saldivar de Gutierrez Roldan |
|
|
|
|
|
Portrait of Linda Christian |
1947 |
|
|
|
|
The Temptations of Saint Anthony |
1947 |
Museo Nacional de Arte (MUNAL), Mexico City, |
90 × 110 |
|
|
Portrait of an Actress |
1948 |
|
|
|
|
Dream of a Sunday Afternoon in Alameda Park |
1948 |
Museo Mural Diego Rivera, Mexico City |
|
|
|
Retrato de María Félix |
|
|
|
|
|
Portrait of Evangelina Rivas de De la Chica, The lady from Oaxaca |
1949 |
|
|
|
|
Portrait of Senora Dona Evangelina Rivas de LaChica |
1949 |
|
|
|
|
Portrait of Ruth Rivera |
1949 |
|
199 × 100.5 |
|
|
Vendedora de Flores (The Flower Seller) |
1949 |
Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain |
180 × 150 |
Oil on canvas |
|
Colonisation, 'The Great City of Tenochtitlan' |
1945–52 |
Palacio Nacional, Mexico City, |
971 × 492 |
|
|
The Huastec Civilisation |
1950 |
Palacio Nacional, Mexico City, |
|
|
|
The Papermakers |
1950 |
Palacio Nacional, Mexico City, |
|
|
 |
Totonac Civilization |
1950 |
Palacio Nacional, Mexico City, |
|
|
|
Pre-Hispanic America |
1950 |
|
|
|
|
Figure Symbolizing the African Race |
1951 |
|
|
|
|
Figure Symbolizing the Asiatic Race |
1951 |
|
|
|
|
The Hands of Nature Offering Water |
1951 |
|
|
|
|
Portrait of the Young Girl Elenita Carrillo Flores |
1952 |
|
55 × 105 |
|
|
The Banana Leaf Loader |
1953 |
|
50 × 40 |
|
|
The History of Medicine in Mexico: The People's Demand for Better Health |
1953 |
|
|
|
|
Portrait of Sra. Dona Elena Flores de Carrillo |
1953 |
|
140 × 221.5 |
|
|
The Painter's Studio |
1954 |
|
150 × 178 |
|
|
Evening Twilight at Acapulco |
1956 |
|
30 × 40 |
|
|
Portrait of Silvia Pinal |
1956 |
|
|
|
|
The Hammock |
1956 |
|
|
|
|
May Day Procession in Moscow |
1956 |
|
135.2 × 108.3 |
|
|
Lenin in 1922 |
Unknown |
|
|
|
|
Sugar Plantation, Tealtenango, Morelos and Indian Slaves in the Gold Mines |
Unknown |
|
|
|
|
The Architect, Jesus T. Acevedo |
Unknown |
Museo de Arte Carrillo Gil, Mexico City |
|
|
|
Portrait of Marevna |
Unknown |
|
|
|