Introduction

The visual arts are art forms such as painting, drawing, printmaking, sculpture, ceramics, photography, video, image, filmmaking, design, crafts, and architecture. Many artistic disciplines such as performing arts, conceptual art, and textile arts, also involve aspects of the visual arts, as well as arts of other types. Within the visual arts, the applied arts, such as industrial design, graphic design, fashion design, interior design, and decorative art are also included.
Current usage of the term "visual arts" includes fine art as well as applied or decorative arts and crafts, but this was not always the case. Before the Arts and Crafts Movement in Britain and elsewhere at the turn of the 20th century, the term 'artist' had for some centuries often been restricted to a person working in the fine arts (such as painting, sculpture, or printmaking) and not the decorative arts, crafts, or applied visual arts media. The distinction was emphasized by artists of the Arts and Crafts Movement, who valued vernacular art forms as much as high forms. Art schools made a distinction between the fine arts and the crafts, maintaining that a craftsperson could not be considered a practitioner of the arts.
The increasing tendency to privilege painting, and to a lesser degree sculpture, above other arts has been a feature of Western art as well as East Asian art. In both regions, painting has been seen as relying to the highest degree on the imagination of the artist and being the furthest removed from manual labour – in Chinese painting, the most highly valued styles were those of "scholar-painting", at least in theory practiced by gentleman amateurs. The Western hierarchy of genres reflected similar attitudes. (Full article...)
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Campbell's Soup Cans is a series of 32 paintings produced between November 1961 and June 1962 by the American pop art artist Andy Warhol. Each canvas measures 20 inches (51 cm) in height and 16 inches (41 cm) in width and contains a painting of a Campbell's Soup can. The works were Warhol's hand-painted depictions of printed imagery deriving from commercial products and popular culture and belong to the pop art movement.
Warhol began as a commercial illustrator in 1949. The series was first shown on July 9, 1962, at the Ferus Gallery in Los Angeles, California. The exhibition marked the West Coast debut of pop art. After the exhibition Irving Blum took ownership of the set of paintings until he loaned it to the National Gallery of Art for several years in 1987 and then sold it to the Museum of Modern Art in 1996. Warhol's motives as an artist were questioned, but the work has become embraced as the most transformative work of art in terms of reconsidering the meaning of art since Marcel Duchamp's 1917 piece Fountain. Warhol's association with the subject led to his name becoming synonymous with the Campbell's Soup Can paintings. (Full article...)
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| “ | Most painting in the European tradition was painting the mask. Modern art rejected all that. Our subject matter was the person behind the mask. | ” |
| — Robert Motherwell, The Times (November 17, 1985) |
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John Michael Wright (May 1617 – July 1694) was an English painter, mainly of portraits in the Baroque style. Born and raised in London, Wright trained in Edinburgh under the Scots painter George Jamesone, and sometimes described himself as Scottish in documents. He acquired a considerable reputation as an artist and scholar during a long sojourn in Rome. There he was admitted to the Accademia di San Luca and was associated with some of the leading artists of his generation. He was engaged by Archduke Leopold Wilhelm of Austria, the governor of the Spanish Netherlands, to acquire artworks in Oliver Cromwell's England in 1655.
He took up permanent residence in England from 1656 and served as court painter before and after the English Restoration. A convert to Roman Catholicism, he was a favourite of the restored Stuart court, a client of both Charles II and James II, and was a witness to many of the political manoeuvrings of the era. In the final years of the Stuart monarchy he returned to Rome as part of an embassy to Pope Innocent XI. (Full article...)
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